Back at Northern Stage on Friday to see another show. I admit I wasn’t in the mood for it – a hectic work week had left me drained, which was evident when I arrived to realise I was still wearing my ‘house cardi’ (the shapeless, warm throw I schlepp around in, never to be seen out of doors), and I had completely forgotten what I was supposed to be reviewing, so stood at the box office for a good couple of minutes going, ‘um… a show?’. Then I tried to get in by confidently showing the usher my Metro card, so all in all not my best night for smoothness.
On top of that, my tiredness made me grumpy with the audience – did the man next to me not realise that jiggling your leg when you are on bleacher-style seating makes the who row move, and was making me seasick? (Why are men ALWAYS so unaware of how their behaviour affects others? Would it kill them to be at least a little in tune withe their environment, the way women are trained to be from childhood? But then, why won’t that woman stop talking all the way through the fecking show? Does she think her voice isn’t carrying right to the front of the stage?) How do SO MANY people need to go to the toilet during a show that was barely an hour long?
Despite these inauspicious factors, I was pretty won over by the show itself. A piece of gig-theatre by local group The Letter Room, No Miracles Here could be dark – it’s about someone planning to kill themselves – but ended up being warm, funny and ultimately uplifting. And short enough that I could get home in time to squeeze in an episode of Ghost Whisperer before bed, which is always good.