Despite the fact that I was still feeling super shonky, dragged my sorry ass off the sofa for a gig last night and as usual, ended up glad I made the effort. After dinner at The Ship (where I tried their ‘fish’ and chips again, in the hope of finding it a little more exciting than last time, and still thought it was a little bland, so lesson learned) L and I went to see Holy Moly and the Crackers at their sold out Cluny gig.
Since L is the gig maven – most of the bands I have seen so far since moving back have been at her suggestion – it was nice that this time it was my idea, and luckily the band didn’t let me down, putting on an absolutely barnstorming performance. They really are a great act live – personable, energetic and with a real connection to the crowd.
I also couldn’t help being a little pleased that the tour – named after their new album, Take a Bite, had some merch that was pretty much designed for me, so while I usually never buy merch at gigs, I thought this lip balm would make a nice prop for my bookstagram posts. So that’s almost like a work expense, right?*
*Dear HMRC: I have not charged this as a work expense.
I seem to split my time fairly evenly these days between the Quayside (Live Theatre) and Ouseburn – and, following Friday’s snowy visit, I returned in mercifully better climes for a gig at the Cluny to see Gangstagrass.
I was going with my friend L of Raven in a Graveyard – and her parents, who are an absolute delight, and way hipper than I will ever be. It’s not often you see a couple of pensioners getting down to a mix of bluegrass and hip hop – not in my life, anyway – but her folks were long time fans, having seen the band in Edinburgh and the US. (They were chatting away like old friends before the gig – I was impressed!).
Dinner first, and we decided to try The Ship, in no small part because of its proximity to the venue. But it’s a place I have been keen to try for ages, but have so far only managed to walk past when it’s stowed. It’s is an old-fashioned pub – dog friendly, good beer, some board games – but has also successfully established itself as a venue for vegan food. I had the ‘fish’ and chips with mushy peas, which was filling, but not amazing: the chips were great, but the ‘fish’ – tofu wrapped in seaweed and then fried in batter – was a little bland, and the peas looked processed rather than marrowfat: L said she’d had better on previous occasions. Her parents fared better with a pie, gravy and chips that they said was great (and certainly looked fantastic). I’d definitely go back, though – a good range of options, really friendly staff (who were great about my nut allergy) and it’s a lovely space – no wonder it gets so busy.
The gig was in Cluny 1 again – the same place I saw Rob Heron. My only knowledge of the band was that they did the Justified theme, but their hard-to-quantify sound – an engaging mix of bluegrass and hip hop – and their fantastic stage presence made for a great gig, and I’m really pleased L suggested it – part of what I wanted to do when I moved was broaden my horizons, and do more than just go to the theatre all the time, and I’m actually doing pretty well on that. I’ll never be as cool as her folks, though…
Friday night saw me embracing something new while also reliving my youth, in a way. My friend M is a huge fan of the ban Holy Moly & The Crackers (whose song Cold Comfort Lane was featured in the film Ocean’s 8). She saw them at Alphabetti previously, so persuaded me to get a ticket to go with her when they played the Riverside. I’m glad I did – the gig was an absolute corker, the band – who I discovered were local – played their hearts out and the place was rocking. They are coming back on tour next year with a new album, but you better not beat me to tickets.
It was also interesting to see the new Riverside. In my youth I was a regular, and went to see bands as short-lived as Menswear (who were supported by Travis!), as well as more long-lived artists. Now that whole area of town seems to have been turned into luxury flats, the venue has relocated to the old Fish Market on the Quayside. It’s a gorgeous space, and a nice integration of old and new, with lots of neon and a well-laid-out interior (plenty of seats to chill out on before the gig) but something about it jarred. Maybe because I spend a lot of my time not only in theatres but thinking about making them more inclusive spaces. Maybe that’s made me oversensitive (certainly my female companion said nothing). But I couldn’t help noticing that, despite hosting a mixed gender band and a very mixed crowd (and having plenty of women’s toilets), the decor felt very much designed for the male eye: it felt a very gendered space.
Giant pictures of musicians adorn the walls: men look cool, women look sexy. (There are a few female musicians featured, but they are the traditionally hot looking ones, such as Debbie Harry). A giant Pulp Fiction Patricia Arquette reclines in her bra against one wall; upstairs, a woman clad in knickers and fishnets has her back to the camera, showing off a God Save the Queen jacket. Rock quotes – all by men, at least that I saw – are painted throughout. It adds up to a subtle sense that it’s a space for men, that music is male, and that women get to take part providing they look good enough.
I’m not saying there’s anything wrong with sexy pictures, of course, or boudoir design, but I’m also not sure that a 21st century venue should feel so squarely like it’s aimed at the blokes. Should it?